Suddenly I understood a mob. I was photographing a funeral, and having spent most of the day with the women, I went to see the body being taken in. And it was just a routine patrol, or so they thought. The military were very unhappy with the pictures afterwards. One of them hit me. Without them, I couldn't have done the story. And the day before he was scheduled to leave - the *day* before, he's out with the unit. I stayed on in Palestine, but was much more cautious after that; have been ever since. Biographical information A man in the procession started screaming, "CIA agent" and pointing at me. I had wanted to capture the sense of release that everyone had, and this became the shot.' It was one of those situations where you have to put fear aside and focus on the job at hand: to watch the situation and document it. I was with a lead unit of marines, and we received a triple ambush from the insurgents. Photos (3) Quotes (3) Photos . 'The Best Photo From Vietnam': One Photographer's Defining Image of War. As soon as I knew that I'd recover, I told my girlfriend I was going to go back out. His name was Martin Kristofski. You become a terrible dinner guest. You cannot separate the rest of your life and I've tried not to control how much I think about them. I had taken a photograph of Arkan with a baby tiger, which he'd liked, and he'd agreed for me to travel with his troops to photograph his "mission". I was with a Russian special commando. People were congratulating me and there was a celebration over this intense tragedy that I had captured. Martin Krystovski SFC/PSG Charles Martin Penley Jr, Vietnam Veteran, Native of Asheville, NC. As a member of the Army, SFC Penley served our country until May 11th, 1969 in Quang Ngai, South Vietnam⦠I remember feeling very scared because there was still popping and hissing and small explosions, and the building was collapsing. While I was out in Afghanistan, my wife had a miscarriage and she equated it to my being away. I'd never seen a dead body before. When I got home, I sat and cried and cried â she had saved my life. Years after I took this picture, every time I see it I feel scared again. Photograph: Lynsey Addario/VII Network, João Silva: 'As the soldiers dragged me away from the kill zone, I took these pictures. For me to turn my back, that's disrespectful. Some of us contemplated whether we wanted to continue covering conflicts; whether it was worth the hardships we put our families through. I thought, if I'm going to die right now, I might as well be working. I am going to die." When the pictures were published not long after, Arkan said in an interview, "I look forward to the day I can drink his blood." We started out as 60 and came back 30 â one in two people injured or killed. It was my first digital assignment and I was amazed to be able to look at my shots. Photograph: John Stanmeyer/VII, Ashley Gilbertson: 'Sometimes you look at images of war, and they're like a Hollywood producer's vision of what war is supposed to look like. One thug offered me "protection". I always ask myself, "Why do I do this job?' I was panicking, trying to fight the urge to leave. When you're younger, you're immortal. This photograph was the most dangerous moment in my career. The guy with the bandage on his head has lost his friends. But suddenly, a Lieutenant pulled him down. They had us pinned down and a sniper was picking people off one by one. Being behind the wall at the side of the front door saved me.The second marine entered the room and shot the Iraqi dead. It's about finding a way of dealing with the fear â you have to be very calm. Martin Krystovski is a male Tau'ri. Photograph: Julie Jacobson/AP, Ami Vitale: 'I was terrified, and thought, "This is it, I am going to die." The real worry is IEDs, though â when you go on patrol, every step could be your last. The thugs with guns didn't want us there. As the man was set on fire, he began to run. Taliban started shooting down on us from the mountains. They started groping me very aggressively, touching my breasts and butt. Earth I got into Ajdabiya shortly after its fall. I was the only witness. The fire from the tank was incredibly strong and I was worried it might explode at any moment. It's the worst face of humankind. This is the morning after a night that left four men dead and 10 wounded. Google Photos is the home for all your photos and videos, automatically organized and easy to share. People surrounded us, celebrating. I was with two other photographers most of the time, but at this moment I went back to the road alone. Photograph: Adam Dean/Panos Pictures, John D McHugh: 'We ran behind a Humvee⦠by that point I'd accepted that I was going to get shot â there were so many bullets in the air, it sounded like a swarm of bees.' Race In February 2001, I spent four weeks traveling through Vietnam, exploring the Old Quarter of Hanoi, hiking through hill tribe villages near Sapa, and drifting down ancient waterways in Hoa Lu.The highlight of my trip to Vietnam was a week in Hoi An, a small, sleepy village about halfway down the coast between Hanoi and Saigon. Sarajevo was the most dangerous place I have worked on a long-term basis. When friends die, you wonder if it's worth the price. There's no thinking, just passion. But I couldn't help him. And it was just a routine patrol, or so they thought. His name was Martin Kristofski. I had to keep working. I'm 40 now, and a lot has changed in the risks I'm prepared to take. I got in my car and, once I turned the corner, began to scream. I had been in Libya for just over two weeks, shooting the insurgency. You see movies, you read books, you can imagine anything. They said, "Do you realise you could have been killed?" The military turned their guns on him, and as he started to run they grabbed him and kicked him. I once did a piece on this war photographer. I'd hidden the film from earlier in the day in my pocket and figured that if I fought hard enough for the film in my camera, he wouldn't search me. I was crying, shaking. That was one of the strange things about covering it â it was so close to London. When people around me have been hurt or killed, I've recorded it. It was carnage, there were bodies, flames were coming out of the buildings. They were torturing, killing and raping. For about six months, he was with a unit in Vietnam. Photograph: Gary Knight/VII, Saul Schwarz: 'I had blood on me, brains. These are the Serbian warlord Arkan's men. I'm not really interested in military bang-bang pictures; I'm interested in documenting people living through war. WALL NAME . I once did a piece on this war photographer. Moments later he was lying in a 20ft stream of blood. I've often felt guilty about my pictures. He has fought all night long. There were numerous firefights going on between the pro-Timorese Aitarak and the Indonesian militia, so I just ran. Two crazy weeks and the most unbelievable story I ever did. Photograph: Ashley Gilbertson/VII Network, Ron Haviv: 'I was shaking when I took the shot. I'm not that interested in pictures of tanks burning â I'm interested in people. But suddenly, a Lieutenant pulled him down. This woman was escorted out of the building and round this devastated street corner. Making that decision was a public act. On 15 March, myself and three other journalists were captured by Gaddafi's troops. (SG1: "Heroes, Part 2"). This was one of the times I was most in danger, but there have been times in Afghanistan where I have felt more scared. We were pleading for our lives.' I did for a second; when I looked up, everyone had run off. And my stress is nothing compared with civilians and soldiers. If it's humanly possible, if the prosthetics allow me, I'll go back to conflict zones. There were so many bullets in the air, it sounded like a swarm of bees. Photograph: Shaul Schwarz/Getty, 'You see movies, you read books, you can imagine anything. We snapped from the waist, trying not to make it obvious. This was at the start of the invasion. I was in so much shock. Suddenly this guy jumped on to it. A group of us had gone to the port. The epicentre of the explosion was a pile of maybe a dozen limbless, charred, mangled bodies in pools of blood. My wife and children were very much on my mind because the danger was so extreme. His name was Martin Kristofski. Maybe I was better off dead? When I put it down, they looked over. Photograph: Mads Nissen/Berlingske/Panos Pictures, Adam Dean: 'I'd never seen a dead body before. For about six months, he was with a unit in Vietnam. Around you are medics, security personnel, people doing good work. The fourth and final injury, in Afghanistan in 1999, wasn't the worst, but I decided enough was enough. The media ground rule was that you couldn't photograph a military casualty in a way that they could be identified, but I could see Bernard's hand reach out to his weapon, his face turned to me. No picture is worth it. Photograph: Tom Stoddart/Getty Images, Greg Marinovich: ' "No pictures," someone yelled. I thought, "Don't do anything crazy, just act like you're part of this crazy party.". His name was Martin Kristofski. I saw them do it, and I couldn't stop them. What's important is that we show what human beings are capable of. Many were killed. He began pushing and threatening me. The soliders were yelling at me not to shoot, but I'd promised myself I'd come out of this with an image to prove what was happening. Photograph: John D McHugh/Getty Images, Marco Di Lauro: 'I'm 40 now, and a lot has changed in the risks I'm prepared to take. At that point, it was hard to justify why I put myself in that situation. It's so messy. The situation was very tense â people were drunk and aggressive. It was a wake-up call to how violent it was going to be. None of them was looking at me so I lifted my camera, just trying to get them in frame. But suddenly, a Lieutenant pulled him down. A woman I'd spent the day with managed to pull me away. When you're younger, you're immortal.' But I could leave. Some people would sprint as fast as they could; others would brazenly walk, as if they were giving two fingers. Sometimes they have been constantly in my head, sometimes I have not thought about them at all. Photograph: Adam Ferguson/VII Network, Alvaro Ybarra Zavala: 'Years after i took this picture, every time I see it I feel scared again.' To get from one side to the other, the residents had to pass through this intersection and Serbian snipers would take shots at them. The day I don't do that with my photography is the day I'll give up and open a restaurant. Every time you go to a conflict, you see the worst. When I won a World Press award for this photograph, I felt sad. And the day before he was scheduled to leave - the day before, he's out with the unit. Later, Arkan caught me photographing another execution and said he'd process my film and keep the ones he didn't like. It was heavy fighting, and I was very afraid. When people around me have been hurt or killed, I've recorded it. I was crying, shaking. I fell to my knees, but managed to get behind another rock. It felt as if I'd been punched. The pain came later, back in intensive care, when infections set in and they nearly lost me a couple of times. The Afghan security forces normally shut down a suicide bombing like this pretty quickly. ... VIEW ALL PHOTOS (1) HONORED ON PANEL 13W, LINE 46 OF THE WALL. That moment changed my perspective. The first three days were very violent â I was punched in the face several times, groped nonstop. It's the closest I've come to capturing the chaos of combat. We were hiding from Taliban gunfire, when there was this explosion. I'd just run across a street with 40 marines to take shelter in an Islamic cultural centre, with bullets whizzing past my face. I was a mess.' If you keep moving, you can manage the fear. The work I do is important and also, if I hadn't, it would mean I'd never really understood the risks in the first place. Pictures like this, of inexperienced rebels being fired on by machine guns and mortars. Take your favorite fandoms with you and never miss a beat. I was one of the few who kept going back to Iraq. And the day before he was scheduled to leave â the day before, he's out with the unit. I got as close as possible, within metres, and started shooting, counting to five in my head. "No pictures," someone yelled. I was looking to settle. It was almost like a test to see if I had what I needed for this job.' It was almost like a test, to see if I had what I needed for this job. I knew I had to frame the pictures so they weren't too graphic. Then I got out. But suddenly, a Lieutenant pulled him down. Nineteen months later, I met my wife. I had a split-second decision to risk a secondary blast (as had happened in October) or start running with the crowd. He put me on a death list, and I spent the next eight years trying to avoid him. Bullets pinged past the entire time. It's very complicated. Home planet For about six months, he was with a unit in Vietnam. I was very much a novice when I took this. An attempt had been made on Bhutto's life two months earlier, so there was already a certain degree of risk.
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